JUSTIN A. HINKLEY
We seek simple truths as humans. Complexity scares us and the more difficult it is to understand something, the harder it becomes to believe it. That pandemic seems worse in America.
Americans revel in simple truths. Hard facts. Common sense. Romanticism was drained from our common psyche sometime after the California gold rush. That is not to say we are not romantic; no, we have a firm grasp on woo and sway. But romanticism, that ideology of bigger things, grander things, more possibility, the idea that the world might be bigger and better than what we see around us, we lost that with the assimilation of the Oakies into the mainstream cultural fabric.
I don't know what killed it. Perhaps it was World War II, which put a grand sense of nationalism into our brainwaves, creating the modern "American" identity and taking away our urge to stretch our borders. I don't know; I doubt anyone really knows what it was, but now our sense of destiny and dream is gone, not necessarily from the individuals but from the collective American consciousness.
Because of this, we demand simple truths. An action is either right or wrong. A person is either good or evil. We try to find higher callings in religion, but our demand for simple truths is so prevalent that we have turned religion into politics, creating the "Christian right." Forgive me if I am wrong, but when I read the Bible, I always gathered that religion created a moral line that guided our political choices, not governed them. And nowhere in those many pages did I gather that we should make religion a political party.
Boy, did things go weird somewhere. Americans were born romantics, seeking grand and oblique truths. Many of our ancestors were sent here as criminals or outcasts of European society, but we were not bad men. We were wanderers, explorers and seekers, but were not vagrants. The Westward Migration created the outlaw as the mystic, bending the rules here and there to accomplish that greater good of Independence, Prosperity and Acquisition.
But somewhere between the death of the cowboy and the defeat of the hippie, we lost that generalization of morality. We were not measured by our actions as much as by our association, not by the merit of our conviction as much as by the consequence of our conviction.
The Public, that violent outcry of media talking heads and organization press releases and coffeehouse chatter, is no longer concerned with the finer points of a person's beliefs or actions. The Public is quicker to decide and more fierce with its reply to a moral choice. We are either dopers or clean, we are either Democrats or Republicans, weirdos or the norm.
The one thing I have tried to accomplish above anything else with the Counterculture Criteria is to make people think in broader scopes. Over the last two years, I've covered musicians, dopers, sexual deviants, drunks, Nazis, politicians, political activists, religious zealots and general weirdos. Their stories have been valiant, lame, queer and sometimes vehement. I don't know that I've always captured the true spirit of the thing, but I've always hoped to convey that inside all of those fascinating and frightening epithets burns a natural human spirit, evolved from the same seed that bred all of their rivals. Each person is driven by a passion as strong as their opponent, but steered in a different direction.
That is something most seem to lose in the easy testament of simple truths, which will forever be a fatal error of judgment. There are no simple truths, and that is the chief commandment of the Counterculture Criteria.











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